Review – The Collected Stories of Lydia Davis

My only knowledge of Lydia Davis, before coming to The Collected Stories of Lydia Davis, is that she was the translator of Marcel Proust’s Swanns Way, in the Penguin edition which adorns my shelves – and its one of the six volumes of Remembrance of Things Past which I’ve actually read (only three to go).

However, I have now learned more about her from her Wikipedia entry and also from an interview with her in The Guardian on 4 August.

This is a lovely book, nice and thick (733 pages of text), and with countless short pieces which you can dip and out of.  For while many of the stories are a few pages long, quite a few of them are just a paragraph or two, or even just a few lines, expressing depth with concision as with a Japanese Haiku.

The stories cover a vast range of subjects and it would be impossible to even begin to categorise them.  A few samples might cover short portraits of a relationship,  jury service, motorcycling, journeys, music and just about anything else you’d like to think of – its probably somewhere in there.

This is one of the few reviews when I can actually quote a whole story as an example of the authors work.  This one is called simply “Love” -

A woman fell in love with a man who had been dead a number of years. It was not enough for her to brush his coats, wipe his inkwell, finger his ivory comb:  she had to build her house over his grave and sit with him night after night in the damp cellar

Don’t worry, many of the stories are far more substantial than that, but they all share a rather quirky outlook on life which challenges the customary way of looking at things, as in the story, Our Kindness, begins -

We have ideals of being kind to everyone in the world.  But then we are very unkind to our own husband, the person who is closest at hand to us.  But then we think he is preventing us from being unkind to everyone else in the world.

As I read this collection, I realised that you have to read several at a time in order to appreciate Lydia’s unique view on life.  She has the ability to look at things from a new angle so that her readers suddenly see the strangeness of things they usually take for granted.  Once more, I can only quote examples.  Take the story, “Interesting”:  it is simply a few short paragraphs each of which uses the word “interesting”.  ”My friend is interesting but he is not in his apartment.  Their conversation appears interesting but they are speaking a language I do not understand”.  In each paragraph, we move through different ways in which the word can be used and then at the end we read of a handsome traffic engineer who is interesting because of his appearance, his fine English accent and his animation.  We expect him to say something interesting when he is about to speak, but no, he is never interesting, because “yet again, he talks about traffic patterns”.  There is so much that could be said about this story.  Was it a failure in the observer that prevented her from finding what he said interesting?  Was the man there specifically to talk about traffic patterns?  (in which case he may well have been interesting to those who had come to listen).  Or was he just a bore who couldn’t leave his pet subject for more than a few moments?

All Lydia’s stories can stimulate reflection in this way.  They can’t be taken at face value, but have to be reflected on.  The blanks have to be filled in.  And yet, despite the brevity of many of the stories, they are not poetry.  Lydia herself in the interview above says that she is happy to call them stories and I think she’s right.  Terms like “prose poem” or “philosophical reflection” are just too laden with meaning for these precise, elegant pieces each of which has at least a tiny narrative flow to them which qualifies them as stories.

In her Guardian interview, Lydia Davis was asked about her short pieces and said, “it was a reaction to Proust’s very long sentences. The sheer length of a thought of his didn’t make me recoil exactly – I loved working on it – but it made me want to see how short a piece of fiction could be that would still have a point to it, and not just be a throwaway joke”.

I am pleased to have this book on my bedside table and will dip in and out of it for some time to come.  It would make a great gift for any reader as I’m sure anyone would find something of interest in it.


As an aside, I was struck by the similarities of Lydia’s work with that of Andrew Keneally in his fascinating blog In Absentia Out.  I know there is no connection whatsoever between these two writers, but look at his post Well-dressed or He, or perhaps a longer post like Digging, and you will see what I mean.


Title:  The Collected Stories of Lydia Davis
Author:  Lydia Davis
Publication:  Penguin Books Ltd:  (5 August 2010), Hardback, 752 pages
ISBN:  9780241145043

Newspaper reviews:
Lydia Davis with William Skidelsky in The Guardian

A podcast on this book, including a reading of two of the stories is available on the New York Review of Books website

22 comments to Review – The Collected Stories of Lydia Davis

  • I have this collection! But I’m terrible at reading short fiction… I always start off with the best of intentions, but then I lose steam and neglect the volumes for months on end. And given how large this one is, I can only imagine it will take me years (if not decades!) to finish… But I’m definitely intrigued…

  • I ve only seen her as a translator my look this one out at my library tom ,like thought hakiu writing think ben okri tried similar thing with his last book tales of freedom stories ,tales cut down to the bare esssentials ,all the best stu

  • Been dipping in and out of this one for some time too. Just love her sensibilities and range. Can’t wait for her new translation of Madame Bovary this fall too. The most marvelous translator.

  • Tom: I had Lydia Davis marked down for a search later today, so this is a very timely post. I like short fiction more than most readers do and your review convinces me that she is someone I should explore in the future. Thanks.

  • These sound fascinating. I’ve found that I really enjoy having Lorrie Moore’s collected works next to my bed. They’re perfect for dipping into when I only have a few minutes or when I’m between books. I like to think I’ve started a new reading habit, and hopefully it will continue to expose me to short fiction.

  • Tom

    Lija – sorry for not replying to your comment earlier – I’ve been away. I have yet to read Lorrie Moore but hear she is a wonderful writer – I shall try to catch up with her work before too long. Short stories are good for bedtime – I agree!

  • Tom

    Kevin – sorry for not replying to your comment earlier – I’ve been away. Well, I’ve never heard of her before but I shall now await more from her pen. Her next book is due for release in September – a new translation of Madame Bovary

  • Tom

    Frances – sorry for not replying to your comment earlier – I’ve been away. I’ve never encountered anyone who’s even heard of her so top marks to you! I shall get hold of MB when it comes out as I’ve never actually read the book before in any translation

  • Tom

    Stu – sorry for not replying to your comment earlier – I’ve been away. I’ve not read Ben Okri before – this sounds someone to follow up as I’ve been aware of him for several years. DQ still going well – 90 pages a week is about right I think

  • Tom

    Steph – well, at least it could be a companion for a few years then? I find it quite absorbing and keep dipping into it.

  • Tom, are you going to write about Remembrance of Things Past? I’d love to read your thought about it…
    Lisa

  • Tom

    Hi Lisa – If I finish it before I depart this planet I will write about it – at the moment, it looks like I’ll finish it in about ten years time so hopefully! I would like to write about the first volume with all those wonderful stories of childhood – and the madeleine of course. But I’d have to re-read the book. On the whole I think writing about that one is a little too much of a challenge

  • I know what you mean, Tom – there are works like this that have been subjected to so much scholarly interpretation that one feels quite intimidated. I felt like that about Moby Dick and Don Quixote (for which I simply blogged my read-as-you-go summary and too bad if anyone out there found my thoughts inane) and also Hemingway’s For Whom the Bell Tolls.

  • Tom

    Quite! I found your DQ articles quite impressive actually – as you know, I’m doing the same sort of thing – episode 3 of 10 tomorrow morning – will I get to the end though?

  • I like the pieces I’ve read of hers (all online)*, but there’s this review which strikes me as rather spot-on: http://shigekuni.wordpress.com/2009/01/19/new-it-aint-lydia-davis-varieties-of-disturbance/

    Btw, I found that interview in the Guardian quite … well, idiotic. Her reason they are called stories is completely cliched, and wrong to boot (by her logic, most poems count as stories).

    *Favourite one, called “Index Entry”:

    Christian, I am not a

  • Tom

    Ronak – Index Entry – the shortest? Thanks for your comments. I liked the review you link to

  • I’ve been dipping into this for some time and have loved what I’ve read. Wonderful stuff.

    Great blog too! Glad to have found it (courtesy of RobAroundBooks) – always brilliant to find people spreading the good word of good literature.

    Nik

  • Tom

    Hi Nik – thanks for visiting. I enjoyed browsing your blog and love your emphasis on pens! I’m a fan of Pilot HiTech Point G7s so won’t be following you to Pelikan quite yet.

  • A pleasure! And thanks for saying nice things about my blog. Oh yes, there are a fair few mentions of pens – they’re more important than I’d realised they were for writing!

    And nothing wrong with the Pilots at all! A fine pen indeed.

    Nik

  • Tom

    Nick – thanks! I can’t remember which author it was, but someone insisted on the Pilot pen for writing his books with

  • David K L

    I haven’t read any Lydia Davis which I know is sort of sad but I’ve read so much about her I feel as if I had

  • Tom

    Hi David – thanks for visiting. I think this book would be a great place to start

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